WILLIAM PACHNER
Chronology
1915 Birth of Vilem (William) Pachner, son
of Anna and Josef Pachner, in Brtnice u Jihlavy, Moravia (Czechoslovakia).
1918 Sees his father for the first time
when Josef returns from the Eastern Front.
1919 Sees exhausted, demoralized
soldiers returning home by train, a sight that is to be recalled and
transformed in many later drawings and paintings.
1920 Rides in the cabin of a locomotive, a
ride arranged by his grandfather, Leopold. Injures left eye while sharpening
a pencil.
1920's Doesn't excel in
academic subjects, but some of his teachers allow him to pass because of his
drawings.
However, professional artists advise Anna Pachner that her son has no
talent.
1930 Enters the Kunstgewerbeschule, a
design school in Vienna, and studies fashion illustration.
1933 Wins first and second prizes for
student fashion designs at Wiener Festwochen. Dissatisfied with academic
routines, leaves design school and becomes illustrator for Melantrich
Publishing House in Prague.
1935 Becomes a staff artist for the
illustrated weekly, Ozveny.
1939 General Josef Bily, husband of
Pachner's editor at Ozveny, arranges a temporary visa so that Pachner
can visit America. Arrives in New York on March 9, learns of German
occupation of Czechoslovakia. Travels to
Chicago. Presents his work at Esquire magazine but is initially
rejected, then hired.
1940 Becomes Art Director for Esquire.
Marries Lorraine KooIman (Editor's secretary at Esquire), from
Wellsburg, .Iowa. (Children: Ann KooIman Pachner b. 1944, and Charles Edward
Pachner, b. 1946).
1943 Leaves Esquire to enlist in
the Army, but is rejected three times. Is determined to Participate in the
war effort, so makes anti-fascist illustrations for magazines such as
Collier's, Cosmopolitan, and Redbook.
1944 Receives citation for Meritorious
Service from the National War Fund. Has first solo exhibition at the Barry
Stephens Gallery in New York.
1945 Receives confirmation that his entire
family has been exterminated by the Nazis. Moves to Woodstock, New York,
and buys a house from Juliana Force, Director of the Whitney Museum of
American Art.
1948 Has one-man show at the Weyhe
Gallery. Begins to participate in large annual exhibitions, such as the
Carnegie International and the Whitney Museum of Art Annual.
1949 Receives citation and $1000 award
from National Institute of Arts and Letters for "masterful use of powerful
design to express a deep emotional experience." Exhibits in the first of
two group shows at. the Corcoran Gallery, Washington. Paintings are
acquired by Milwaukee Art Institute; Witte Memorial Museum, San Antonio; Ein-Harod Museum, Israel. Has one-man exhibition at A.A.A. Gallery in New
York.
1950 Exhibits in first of two group shows
at the Pennsylvania Academy of Fine
Arts. Exhibits by
invitation in Best of Art -New Directions in Town Hall, New York City
for two consecutive years.
1951 Is invited to Florida to teach art by
Mrs. Shillard Smith, founder of the Florida Gulf Coast Art Center.
Establishes a winter residence on Clearwater Beach (until 1969). Has the
first of two one-man exhibits at Ganso Gallery in New York 1954. Has
one-man exhibition at the Ringling Museum in Sarasota.
1957 Begins teaching at the Tampa Art
Institute, and continues each winter until 1969 Establishes William Pachner
Workshop,
Clearwater. Participates in a
circulating exhibition, Four Florida Painters, sponsored by the
American Federation of Arts.
1958 Receives $1000 Painting of the Year
Award from Mead, Atlanta Paper Company. Receives First Prize, Art
Association of New Orleans, 57th Spring Annual at the Isaac Delgado Museum.
Receives Purchase Prize, Sarasota Annual National Show Receives First Prize,
Florida State Fair Fine Arts Exhibition Exhibits in Art: USA: 58 in
New York. Receives Guggenheim Fellowship, travels in Europe.
1959 Meets Martin Buber in Jerusalem. Has
first retrospective exhibition, awarded by the American Federation of Arts
and funded by a grant from the Ford Foundation. Terminal Number 1 is
purchased by the Whitney Museum of American Art. Has the first of several one-man
exhibitions at the Krasner Galley. Joseph H. Hirshhom purchases
Antinomes #1, and other works. :: Exhibits in group shows at the
University of Nebraska, University of Michigan, and the Detroit Institute
of Fine Arts. Receives one-man exhibition at the John and Mable Ringling
Museum of Art, Sarasota.
1964 Receives grant from the Ford
Foundation (one of a series of Museum residency grants for artists) and
serves residency at the Fort Worth Art Museum.
1965 Exhibits in Fine Arts Pavilion, New
York World's Fair and in St. Petersburg, Museum of Fine Arts, Inaugural
Exhibition.
1966 Has one-man exhibition at Tampa Art
Institute.
1968 Exhibits in group show at the New
York Cultural Center.
1970-80 Paints in Woodstock and makes only short
annual trips to Tampa. Exhibits at Trend House Gallery, Tampa
1974 Has one-man exhibition at the J. Camp
Gallery in New York City.
1979-80 Builds studio in Tampa.
1981 Loses
sight in his "good" eye, and becomes blind. Receives one-man show at the Scarfone Gallery University of Tampa on January 8. Receives honorary
Doctor of Fine Arts degree from University of Tampa. Resolves to continue
working despite blindness. After experiments with color, does extensive
series of drawings in B&W.
1983 Has one-man exhibition, Pachner
Landscapes, at the Museum of Fine Arts, St. Petersburg, Florida.
1985 LANDSCAPES & LOVERS,
Watercolors and Drawing from 50s to 70’s; first solo exhibition at Brad
Cooper Gallery
1987 Has retrospective exhibition
William Pachner Affirmations: 1936-1986, Tampa; Museum of Art. Solo
exhibition, William Pachner: Affirmations Black and White, University
of South Florida Galleries, Tampa,FL DRAWING: QUIET
REVOLUTION, group exhibition at Brad Cooper Gallery with James Rosenquist, Theo Wujcik, Irwin Touster.
1988 Solo Exhibition at the Arts Center in
St Petersburg, Florida: a survey of B&W paintings in
January. Solo Exhibition at Brad Cooper Gallery in
December of SMALL WORKS: Watercolors from the Years 1964 –82. 1982 was the year working in color came to an end for Pachner. Group
Exhibition at Brad Cooper Gallery exhibiting B&W work
“ Variations on an
Unstated Theme”
1990 Solo Exhibition at Brad Cooper
Gallery: RECENT WORKS, 1980 - 1990: The First Decade of Pachner
working with black ink on white paper and canvas in March.
1991 Inaugural Group Exhibition of new
location of Brad Cooper Gallery, exhibits “Truck” , 1989 (large B&W
painting)
1992 COLLAGE CONSTRUCTIONS, solo
exhibition of new black & white works encompassing the continuously evolving
variations on Pachner’s themes at Brad Cooper Gallery in April. SUMMER
GROUP exhibition at Brad Cooper Gallery.
1993 THE FLORIDA LANDSCAPE REVISITED, Five
19th century and sixteen contemporary artists investigate the
Florida environment as a cultural landscape: Polk Museum of Art, Lakeland,
FL. GROUP ONE,
Exhibition at Brad Cooper Gallery
1994 SELECTED EARLY WORKS 1956 –1978,
a solo exhibition at Brad Cooper Gallery of pastels, watercolors, oils &
drawing. DRAWING, DISCOVERY & DIVERSITY, group exhibition at Brad Cooper
Gallery
1996 OILS AND WATERCOLORS 1960-1980, a solo exhibition at Brad Cooper Gallery in March.
1997 Mackey Gallery at the Museum of Fine
Arts in St Petersburg exhibits work from permanent collection.
2000 WILLIAM PACHNER: PAINTING &
DRAWING; a Selection of Works from the 1960’s, paintings, pastels, and
drawings, solo exhibition Brad Cooper Gallery in January. 16th
ANNIVERSARY GROUP at Brad Cooper Gallery.
2003 MODERN
ART IN FLORIDA 1948-1970, Tampa Museum of Art, Tampa, FL
2004 Solo
Exhibition at Brad Cooper Gallery: Selected Works 1960 - 1970
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