|
 |
|
The body
of work before you was an unintentional concept that began by doodling and
stacking letters on top of each other. This stacking, burning, stamping,
carving, etc. indirectly became symbolic of something greater that happens
on a daily basis. The concept became a process of coordinating and
organizing the past. This documentation of text is an attempt to record what
is essential or vital. I describe these works to be journal entries that
are not meant to be literally read by anyone, even their creator. |
|
These journals are distorted and fragmented into code that has taken the
form of a visual image. The works are not meant to be deciphered as
much as they are meant to be accepted as images. These images in turn
are as abstract as their process and method. The code is symbolic of
our memory working in realist terms and how flawed the mind may be.
The mind chooses to remember what the individual deems as priority and
therefore making the rest of life as ambiguous as the code. The works
represent a recorded dialogue, a documented language, a reflection of the
moment, a form given to words, a biased vision of the past, a flawed
landscape, my effort at that moment, my analysis of the conversation, my
spirit and soul. |
